Here is the new Krrish 3 Poster
feat. Hrithik, Priyanka and Kangana. Produced and directed by Rakesh Roshan,
the movie releases on November 1.
Friday, October 11, 2013
Thursday, October 10, 2013
Why did Salman Khan change the title of his upcoming film from Mental to Jai Ho?
Salman Khan is a family man! Looking at this
picture, it is very clear that the bhai likes to bond with his family members
whenever he has some free time in his hands.
We have heard the Khan pariwaar was apparently
divided on the title of Salman’s upcoming film to be directed by his brother
Sohail Khan. While many preferred the original title – Mental, the patriarch of
the family Salim Khan preferred Jai Ho. Now we know that the eternal bachelor
of B-town respects his father tremendously. Now is that possible that papa says
something and Salman completely ignores it? Well, the Dabangg dude didn’t think
twice and changed the title of the film from Mental to Jai Ho.
For more news about this movie click here
Priyanka Chopra to be seen in a double role in Krrish 3?
Bollywood Actress Priyanka Chopra
will be seen in a double role in Krrish
3. While it is being kept hush-hush, an inisder reveals that the
actress has a double role in the film. However, it is not like a traditional
double role. She will seen in a good and a bad avatar.
Adds the source, “Priyanka is playing the character
of Priya Mehra (married to Krishna Mehra or Krrish aka Hrithik Roshan). When
she was offered the role as Krrish’s wife, PC hardly had any scope to emote.
When she learnt that the other actress Kangana has a role with more layers, she
asked for meat to be added to her part. And thus her new character was written
by director Rakesh Roshan.
Priyanka will be seen in two roles — a good one as
Krrish’s wife and one which evolves into another person which is pure evil. All
will be revealed in the climax. PC’s good and bad characters are expected to be
one of the highlights of the film.”
Monday, October 7, 2013
New colourful and vibrant poster of Ram Leela released!
The new poster of Sanjay Leela
Bhansali's upcoming flick Ram Leela poster is out! The poster looks extremely
vibrant and colourful due of its breathtaking background. In the foreground, we
see the mesmerizing duo of Ranveer Singh and Deepika Padukone engaging in a
dance of love and complementing each other perfectly.
Thursday, October 3, 2013
Ishk Actually Movie first trailer
Directed by Anish Khanna, Ishk Actually stars Rajeev
Khandelwal, Rayo Bakhirta, Neha Ahuja and Ann Mithchai in the lead. It’s a well-known
fact that Rajeev loves to experiment with his roles and films, this time is no
exception as well.
To watch more bollywood videos, click here
To watch more bollywood videos, click here
Besharam Movie Review
Cast:
Rishi Kapoor, Neetu Singh, Ranbir Kapoor, Pallavi Sharda, Javed Jaffrey
Director:
Abhinav Singh Kashyap
Rating:
Two Stars
The number of times Ranbir Kapoor, that simmering
restless bundle of unstoppable talent, calls himself besharam (shameless) in
this movie is not funny. And with good reason, one might add.
The plot is evidently written as a back-handed
homage to the 1980s and 90s cinema of outlandish logistics where coincidences
covered up for the lack of a sound sense in the script, and every actor
screamed his or her dialogues to conceal the embarrassment of doing stuff that
no one with an iota of intelligence would attempt.
But even the logistics of the cinema of the absurd
had a rhythm of its own.
Besharam, however, is devoid of rhythm, sur or taal.
It's shot like an ongoing television sitcom where the actors are clueless about
which way the intended laughter would take them. Everyone in the movie, from
the redoubtable Rishi Kapoor to the gifted-in-her-own-right Himani Shivpuri, is
in it just for fun.
I am sure the script, when it was narrated to the
actors, must have had them in splits.
And why not? Director Abhinav Kashyap's debut in
Dabangg gave a new language to the Hindi commercial cinema. The language of
cocky hero-giri. But then, Dabangg featured Salman Khan who does not need to
act to impress audiences. He does not even try.
Ranbir Kapoor in Besharam goes the other way. Every
scene in the film is an "acting" moment. Ranbir does the equivalent
of a very accomplished gymnast who must impress the sports council that he is
qualified for the next Olympics.
The director obviously thinks very highly of
Ranbir's talents. So do we. But does that mean he must attack every scene like
an audition? There is a desperation in the narration hidden out of our view,
but discernible nonetheless. A desperation to project the protagonist as
infinitely wacky.
Cynical disregard for basic decency is meant to be cool
in this film. In the endeavour to imbue Ranbir's car-thief character with a
sense of mischievous artlessness, the narration becomes woefully heavy-handed.
The tone adopted is that of a conversation between two reputed stand-up
comedians who are out to prove they can convey the seriousness of existence
even while maintaining the jokey tone.
Everyone, barring the villain Javed Jaffrey, is
given funny lines. They speak it with twinkle-eyed pleasure that, alas, is lost
somewhere as it makes its way from the screen to the audience. There are
passages of excruciatingly gauche writing where the actors run around in
circles, trying to be cute replicas of characters from the movies in the 1990s.
Among these aimless drifters in the province of the
potboiler are Rishi Kapoor and Neetu Singh, playing a corrupt quarrelsome
Haryanvi cop couple. Their roles seem to start with the firm resolve that their
real-life relation to the hero would be kept completely out of bounds. But
then, as the script progresses, real-life references like "Tum toh meri
maa samaan ho" ("You're like my mother") and "Main tera
baap hoon" ("I'm your dad") creep in, until the margin of satire
shrinks to the extent of being non-existent.
And we finally come to a stage where Rishi Kapoor
and Neetu Singh "adopt" Ranbir's character!
"Go for it," Ranbir's sidekick Titu (well
played by Amitosh Nagpal) tells the hero. "You even look like the female
cop (Neetu Singh)."
The trouble with mainstream Hindi cinema is that
when all is said and done, it is nothing but a star-vehicle. Besharam stars off
cocking a snook at conventional trappings. It eventually ends up sucking up to
cinematic cliches, and with not even a pretence of subtlety.
Besharam is clogged with plot-holes into which the
characters happily fall. There they remain happily wallowing in the
uni-dimensionality of their narrow world-view.
The fuss, if you must know, is over a posh car
bought by the girl that our hero, Bunty, has fallen for.
That the girl, Pallavi Sharda, seems to belong to
another plot and another film is besides the point.
Bunty loves her, period. And what follows is a
series of goofy escapades where Bunty outwits the villain. Laughter.
It is sad to see Rishi Kapoor reduced to sitting on
the potty and noisily clearing his bowels. And at one point, the heroine
herself asks: "Yeh thoda vulgar nahin ho gaya?" ("That got a
little vulgar?")
To Read Full Review Click Here
