Cast:
Rishi Kapoor, Neetu Singh, Ranbir Kapoor, Pallavi Sharda, Javed Jaffrey
Director:
Abhinav Singh Kashyap
Rating:
Two Stars
The number of times Ranbir Kapoor, that simmering
restless bundle of unstoppable talent, calls himself besharam (shameless) in
this movie is not funny. And with good reason, one might add.
The plot is evidently written as a back-handed
homage to the 1980s and 90s cinema of outlandish logistics where coincidences
covered up for the lack of a sound sense in the script, and every actor
screamed his or her dialogues to conceal the embarrassment of doing stuff that
no one with an iota of intelligence would attempt.
But even the logistics of the cinema of the absurd
had a rhythm of its own.
Besharam, however, is devoid of rhythm, sur or taal.
It's shot like an ongoing television sitcom where the actors are clueless about
which way the intended laughter would take them. Everyone in the movie, from
the redoubtable Rishi Kapoor to the gifted-in-her-own-right Himani Shivpuri, is
in it just for fun.
I am sure the script, when it was narrated to the
actors, must have had them in splits.
And why not? Director Abhinav Kashyap's debut in
Dabangg gave a new language to the Hindi commercial cinema. The language of
cocky hero-giri. But then, Dabangg featured Salman Khan who does not need to
act to impress audiences. He does not even try.
Ranbir Kapoor in Besharam goes the other way. Every
scene in the film is an "acting" moment. Ranbir does the equivalent
of a very accomplished gymnast who must impress the sports council that he is
qualified for the next Olympics.
The director obviously thinks very highly of
Ranbir's talents. So do we. But does that mean he must attack every scene like
an audition? There is a desperation in the narration hidden out of our view,
but discernible nonetheless. A desperation to project the protagonist as
infinitely wacky.
Cynical disregard for basic decency is meant to be cool
in this film. In the endeavour to imbue Ranbir's car-thief character with a
sense of mischievous artlessness, the narration becomes woefully heavy-handed.
The tone adopted is that of a conversation between two reputed stand-up
comedians who are out to prove they can convey the seriousness of existence
even while maintaining the jokey tone.
Everyone, barring the villain Javed Jaffrey, is
given funny lines. They speak it with twinkle-eyed pleasure that, alas, is lost
somewhere as it makes its way from the screen to the audience. There are
passages of excruciatingly gauche writing where the actors run around in
circles, trying to be cute replicas of characters from the movies in the 1990s.
Among these aimless drifters in the province of the
potboiler are Rishi Kapoor and Neetu Singh, playing a corrupt quarrelsome
Haryanvi cop couple. Their roles seem to start with the firm resolve that their
real-life relation to the hero would be kept completely out of bounds. But
then, as the script progresses, real-life references like "Tum toh meri
maa samaan ho" ("You're like my mother") and "Main tera
baap hoon" ("I'm your dad") creep in, until the margin of satire
shrinks to the extent of being non-existent.
And we finally come to a stage where Rishi Kapoor
and Neetu Singh "adopt" Ranbir's character!
"Go for it," Ranbir's sidekick Titu (well
played by Amitosh Nagpal) tells the hero. "You even look like the female
cop (Neetu Singh)."
The trouble with mainstream Hindi cinema is that
when all is said and done, it is nothing but a star-vehicle. Besharam stars off
cocking a snook at conventional trappings. It eventually ends up sucking up to
cinematic cliches, and with not even a pretence of subtlety.
Besharam is clogged with plot-holes into which the
characters happily fall. There they remain happily wallowing in the
uni-dimensionality of their narrow world-view.
The fuss, if you must know, is over a posh car
bought by the girl that our hero, Bunty, has fallen for.
That the girl, Pallavi Sharda, seems to belong to
another plot and another film is besides the point.
Bunty loves her, period. And what follows is a
series of goofy escapades where Bunty outwits the villain. Laughter.
It is sad to see Rishi Kapoor reduced to sitting on
the potty and noisily clearing his bowels. And at one point, the heroine
herself asks: "Yeh thoda vulgar nahin ho gaya?" ("That got a
little vulgar?")
